We are now in the heyday, there is no denying it.

Although it is not the highest peak in the world, the gap is not far behind. The gap is narrowing every day. When western countries throw out "",when China has become the second largest economy in the world and launched an impact on the largest economy, can we have the courage to do it?
"How can you show off when you are old?"
Perhaps behind the "self-confidence" of various glazed vases, it is precisely the spirit that we contemporary people lack most nowadays.
This has to be left to the audience to think slowly.
After the "Mother of Porcelain", the program ushered in a stone drum with the heaviest weight in the first program, which was praised as "the first antique in China" and "the national treasure of nine towns in China"
The stone drums are ten feet high and two feet in diameter, more than one foot in image, and the thin thick top is slightly round. Ten granite stone drums each weigh about one ton, and "Shi Guwen" is engraved on each stone drum surface, which is also called hunting because of the fishing and hunting accidents in the inscription.
Shi Guwen described a period of history unknown to later generations before the reunification of the Qin Dynasty, which was the earliest stone carving poem in China, and it was a miracle in the history of China’s cultural relics that Zhuan Zu came from Qing Dynasty.
Every cultural relic has its own strange story behind it, and the story behind the stone drum is even more strange. It has been wandering all its life.
In 627, a strange granite boulder was discovered by a shepherd old man in Chencang Mountain, Fengxiang Prefecture, Shaanxi Province, and now in Shibushan, Baoji City. These huge boulders are round in shape, narrow in square, and about 3 feet high, and slightly convex in appearance. It is puzzling that when a large piece of boulder soil is removed, a large number of mysterious characters and strange brushwork are revealed, so people can recognize it, and rumors are scattered frequently. More villagers get wind of it and burn incense and bow down to the gods.
Since then, Chen Cang has suddenly become very lively, and literati have come here to have a glimpse of it, and they have searched for famous scholars to study it, and they have spent a lot of money to solve puzzles. However, the puzzles of Chinese characters have not only been uncovered, but have become fascinating through people’s words.
More than a year later, the "Anshi Rebellion" broke out, and the Tang Dynasty was tottering in the war. Tang Suzong heard the stone drum and was curious. He ordered the state officials to transport a strange stone to Chencang Mountain and move it to the south of Yongcheng. Later, Fengxiang County was stationed here in the south of Yongcheng, where civil and military officials enjoyed it.
Just a few months after the stone drum was moved to Yongcheng, it suffered with the coming of the war. When the rebels approached Fengxiang, the Manchu officials fled to avoid the war. The stone drum was hastily moved to the wilderness and buried, and it was declared "destroyed"
Two years after the stone drum was buried, the "Anshi Rebellion" was pacified, and the fate of Chencang stone drum also ushered in a turning point. In AD 6, local officials visited the burial place of the stone drum and invited famous scholars to lead the excavation. However, the stone drum was re-born and its handwriting was incomplete, which attracted several famous scholars to lament. What’s more, it was a pity that one side of the stone drum, which had been abandoned in the wilderness, was inexplicably lost. This was the original stone drum that later caused a sensation and often caused academic disputes in previous dynasties.
Han Yuqi’s Shigu Song "chang handed me this tracing, from the stone drums advised me to try Shigu Song how a friend of mine, then at the western camp, I measured that digging mortar division I bathed and changed, then made my plea to the college president is so precious. How many they could be wrapped in rugs, be packed and sent in boxes ten drums count camels so herd-boys strike the drums for fire, cows polish horns on them? Who started to rub still ageing and decaying, soon they may be effaced for six years? The Shigu Song ends here in to a sound of supplication choked with its own tears." From this, we can see that Han Yu hopes to carry a few camels of Shigu back to Chang ‘an, the capital, to protect precious cultural relics and to facilitate research.
Han Yu did exactly the same. At that time, the imperial court requested that the stone drum be moved to the Imperial College in Beijing for safekeeping and re-establishing its scholarship. However, Han Yu’s request was not taken seriously by the imperial court, and he could watch the stone drum covered with moss in the weeds, relying on "so herd-boys strike the drums for fire, cows polish horns on them"
The memorial was kept in the court for a long time until Zheng Yuqing became a part-time member of Fengxiang Yin in AD 14.
Reading in sections 331
He happened to see Han Yu’s memorial tablet, which had been buried for a long time, deeply touched, so he asked the court to play it again, hoping to keep the Chencang stone drum properly, and then he was exposed to the wilderness stone drum, which was transferred to the local Confucius Temple. However, the nine stone drums were once again lost to the people in the five dynasties war.
When the Northern Song Dynasty unified the whole country and gradually wiped out one vassal, the country’s economy and culture recovered in just a few decades and made a leap-forward development. At this time, when Song Renzong consulted the historical archives left over from the previous dynasty, he accidentally discovered that Yu Shigu had a strong interest in the stone drum that had been lost for a hundred years.
Song Renzong is a famous painting king in the history of China. He spared no expense to make talented people visit and find out whether Chen Cang Shi Gu Luo once again confirmed the law that the pursuit of cultural spirit is always after a full meal.
When Sima Chi, the father of Sima Guang, the magistrate of Fengxiang, heard the news, he tried his best to find a big stone and tried to vote for the king.
After several twists and turns, Sima Chi finally rediscovered the stone drum in Chencang, which had disappeared for a hundred years. Unfortunately, nine stone drums were found, and the original stone drum was lost as early as the end of the Tang Dynasty, and there was still no trace.
Impatient Sima Chi used a clumsy trick to gild the lily and privately sent craftsmen to collect similar stones overnight to make fakes. Soon, he copied a fake "original stone drum" with reference to the stone drum extension. This trick really made him win the praise of Renzong for his outstanding work
However, the famous scholars who came from Song Renzong, who had learned a lot, quickly distinguished that Sima Chi, who forged the stone drum, was rewarded for his outstanding achievements and was convicted of forging a fake and deceiving the monarch.
This is the short story of Sima Chi’s father Sima Guang’s stone drum in the small and medium-sized theater of the program.
The nine-faced stone drum went through a fake storm and disappeared. The original stone drum immediately became famous, and the people recognized that its value could be one enemy of nine, which immediately triggered a wave of tycoons throwing all their money to find the original stone drum
In 152, the stone collector came to Fengxiang as a teacher, and found the original stone drum, which has become a grindstone, at a butcher’s house. Only after the history was broken can the ten-sided stone drum be reunited.
But don’t do this, it’s over. Their fate continues to boast that Song Huizong is the first bachelor in heaven. is another painting emperor in the Northern Song Dynasty. He not only inherited the obsession of the former king Song Renzong, but also indulged him more. After the "original stone drum" arrived in the capital in 111 AD, it was officially transferred to Taixuebao, and then he moved into Baohe Hall to accompany him day and night.
In the future, Song Huizong had a whim to fill a stone drum with gold, which filled the golden body and buried another curse
During the Jingkang Rebellion, the nomads from the Jin Dynasty invaded the capital of song dynasty, took away Emperor Hui and Emperor Qin, and imprisoned them in the northeast wasteland, while a stone drum was filled with gold, so the nomads from the Jin Dynasty regarded it as a treasure and followed the plundered Emperor Hui and Emperor Qin to the north.
After the stone drum was transported to Yanjing, the Jin people who didn’t know much about the Central Plains culture didn’t find its value. They removed the stone drum and filled it with gold, so they abandoned it in the wilderness. This stone drum was lost for the third time due to the war.
In 1234 AD, when the Southern Song Dynasty and Mongolia allied forces destroyed the gold and attacked Yanjing, Wang Gui, an ancient historian, found a stone drum hidden in the ruins by chance. Wang Gui was born in Guo County, Yu Fengxiang, and the stone drum was of the same origin. He kept it in the Confucius Temple and asked someone to take care of it. The stone drums of the later Yuan, Qing dynasties never left Beijing.
However, the stone drum was stable until the outbreak of the Japanese war of aggression against China in the 1930 s. After a short stay in Nanjing with the continuous migration of the national treasure of the Forbidden City, it was difficult to transport it to Chongqing.
After the victory of the Anti-Japanese War, this batch of stone drums was transported back to Nanjing from Chongqing, and it was dangerous to transport them. The stone drum car has experienced two rollover accidents, and one stone drum was almost robbed again.
After the outbreak of the War of Liberation, Chiang Kai-shek saw that the general trend had gone to hastily prepare for the retreat and transported a large number of national treasures and cultural relics to Taiwan Province. At this time, he was sent back to the Forbidden City in Beijing for safekeeping, and Chencang stone drum was rushed to the airport. However, when the plane was about to take off, the pilot reported that the plane had exceeded the law to ensure its flight safety. After repeated discussions by a group of people, this stone drum was saved.
It doesn’t seem necessary to say that it is a mysterious "Shi Guwen". When you understand the history of displacement behind the stone drum, you can only see it without crying.
The fate of Shigu’s exile has always been closely related to the sufferings of the Chinese nation, and the unsolved mysteries of its broken history have made it more unique and precious in the ups and downs of historical tides. The national treasures of the nine towns are worthy of their names.
Compared with the strange small theater in the past life of Shigu, the audience was more moved by its story of this life. The program group invited Shigu Liang Jia to tell the story of Liang Jia’s three generations of guardian Shigu when the cultural relics moved south when the Japanese invaded China.
The origin of the names of Liang’s five brothers and sisters is the road map of Shigu in the process of moving south.
When I arrived in Emei, my eldest brother was born as Liang Esheng.
When I arrived in Leshan, my sister was born. Leshan was called Jiazhou in ancient times and Liang Jiasheng in ancient times.
When I arrived in Nanjing, I was born one after another with my sister, Liang Jinsheng Liang Ningsheng.
Finally, when I returned to Beijing, my younger brother was born Liang Yansheng.
In 1949, it was only when my grandfather and brother separated the two sides of the strait that they resumed exchanges in 1949.
What can we say when we are lucky enough to see Shigu again?
Sighing the stone drum, past lives is still glad that the Chinese context has not been cut off after suffering.
We don’t need it. When the language is shaped, we need to speak from the heart.
rise/get to one’s feet
clap one’s hands
salute